"Grave of my own undressing" Artspace, Sydney 1997.

9 video monitors, each running a three hour tape in which short descriptive fragments of text appear from the otherwise blank screens every few minutes and remain visible only long enough to be read. There is a soundtrack derived from water sounds playing at very low volume on each monitor which produces a diffused generalised soundscape throughout the installation. Each narrative fragment is part of a longer text, but the time delay built into the piece discourages a complete reading.
Reconfigured online as 'the remains of lionel love'.