STUDIES

Currently PhD candidate, Centre for New Media Arts, Australian National University.
1999 Australian Network for Art & Technology Summer School.
1991-92 Master of Fine Art, University of NSW College of Fine Art.
1984-85 Graduate Diploma, Sydney College of the Arts.
1981-83 Bachelor of Arts, Sydney College of the Arts.

PUBLISHING

2003 Anchrtronic (DVD, Time's Up/Staalplaat collaboration).
2000 Four Slow Girls (audio mini CD).
1999 Transits (audio compact disk).
1997 Gentle Hour Unsung (audio compact disk).
1996 Awaiting Room (audio compact disk).
1994 Slanting (artist's book).

SOLO AND COLLABORATIVE EXHIBITIONS

2007
Rectified Searches: Road, Chris, Fog, Stills Gallery, Sydney.
2004
fujiSummitResonator, Tin Sheds Gallery, Sydney.
2002
The Garden (with Latzel, Struber, Witzany), Grundsteingasse 64, Vienna.
2001
Hundezone (collaboration with Katharina Struber), Grundsteingasse 64, Vienna.
1997
Elizabeth Bay House, Sydney.
Grave of My Own Undressing, Artspace, Sydney.
Gentle Hour Unsung and Kidglove Treatment, Australian Centre for Contemporary Art, Melbourne.
1996
Awaiting Room, CBD Gallery, Sydney.
The Kings New Dress (collaboration with Anita Fricek), Watch This Space, Alice Springs.
Band Width (collaboration with Martin Sims & Deborah Vaughan), Particle, Sydney.
1994
Kid Glove Treatment, Australian Centre for Photography, Sydney.
Straight (collaboration with Anne Ooms), CBD Gallery, Sydney.
1993
Artspace, Sydney.
Canberra Contemporary Art Space, ACT.
Between Three Sites, The Performance Space, Sydney.
Between Three Sites, Selenium Gallery, Sydney.
Between Three Sites, First Draft (West), Sydney.
1992
First Draft (West), Sydney.
The Foundry, Sydney.
1991
Linden Gallery, Melbourne.
Victorian Centre for Photography, Melbourne.
First Draft (West), Sydney.
1990
Artspace, Sydney. (Chris Fortescue, Margaret Roberts, Wendy Howard).
Redivider (collaboration with Anne Ooms), First Draft (West), Sydney.
1988
338 Pitt Street, Sydney. (Chris Fortescue, Simon Barney).
Quintet, Chameleon Contemporary Art Space, Hobart.
1987
The Third Place (collaboration with Anne Ooms), Chameleon C.A.S., Hobart.
Pupil of the Eye, Australian Centre for Photography, Sydney.
1986
Seeing Double (collaboration with Robyn Backen), First Draft, Sydney.
1984
The Performance Space, Sydney.

SELECTED GROUP EXHIBITIONS

2007
Resettings, in Settings, curated by Jason Hugonet, CraftACT Craft and Design Centre, Canberra.
2003
Anchortronic presentation, Plug and Play, 16th March 2003, London.
Anchortronic presentation, Hiri Musikak, 8th March 2003, San Sebastian.
2002
Anchortronic presentation, Kapu, 20th December 2002, Linz.
Anchortronic presentation, Steirischer Herbst, 24th October to 24th November 2002, Graz.
2001
Anchortronic pre-presentation, Time's Up Laboratories, 27th December 2001, Linz.
Anchortronic pre-presentation, Stop.Spot! 26th-27th October 2001, Linz.
Sunburn, Kampnagel K3, Hamburg.
2000
Sydney!Vienna!, Akademie der bildenden Künst, Vienna.
1996
Vertical Hole, Test Strip, Auckland.
Object of Existence, Australian Centre for Contemporary Art, Melbourne.
1994
Ipso Photo, Centre for Contemporary Photography, Melbourne.
Bet Your Life Too, Annandale Galleries, Sydney.
1992
Signals, Museum of Contemporary Art, Sydney.
Darwin Contemporary Art Space.
1991
Contemporary Colour, Art Gallery of NSW.
A Constructed Reality, National Gallery of Victoria.
1986
In Full View, Art Gallery of New South Wales.
Observatory Gallery, Brisbane.

OTHER PROFESSIONAL ACTIVITIES

2002
Sound design for I Believe in Miracles, Katharina Struber & Ursula Witzany, in How Big is the World?
OK-Centrum für Gegenwartskunst, Linz & Taipei.
1998/2000
Co founder/director (with Simon Barney) of SOUTH gallery, Sydney.
1994/98
Lecturer, University of Western Sydney, Nepean.
Lecturer, University of NSW College of Fine Art.
1991/93
Lecturer, University of Western Sydney, Nepean.
Lecturer, University of NSW College of Fine Art. Lecturer,
Canberra School of Art.
Board of Directors, Australian Centre for Photography.
1985/86
Lecturer, Sydney College of the Arts.

AWARDS

2001
Bundeskanzleramt - Kunstsektion, Vienna, Studio residency.
ANAT Conference and Workshop Fund (for "Times Up" Studio residency).
"Times Up", Linz, "Anchortronic" Studio residency.
1999
Artspace, Sydney. Studio residency.
1998
Visual Arts and Craft Fund of the Australia Council (Project funding).
1995
Visual Arts and Craft Board of the Australia Council (Project funding).
1990
Visual Arts and Craft Board of the Australia Council (Project funding).
1987
Chameleon Contemporary Art Space, Hobart. Studio residency.
1985
Visual Arts Board of the Australia Council (Project funding).

COLLECTIONS

Albury Regional Art Centre.
Art Gallery of New South Wales.
Australian National Gallery.
Griffith University, Qld.
National Gallery of Victoria.
Museum of Contemporary Art, Sydney.
Polaroid Australia Ltd.
Polaroid International Collection.

SELECTED BIBLIOGRAPHY

Chris Gardener
online interview, December 1999.
Jacqueline Milner
Grave of My Own Undressing. Catalogue essay, Artspace, April 1997.
Anita Fricek
Gentle Hour Unsung. Catalogue essay, ACCA, March 1997.
John Forbes
Slanting. Review, Agenda #36, May 1994.
Simon Barney
Daffy DuckÕs End Game. Review of Between Three Sites, Agenda #35, March 1994.
Graham Forsyth
Between 3 Sites. Review, Art and Text #47, January, 1994.
Abby Mellick
Catalogue essay, Artspace, 1993.
Anne Ooms
Shopping and Solitude. Catalogue essay, Foundry, 1992.
Stuart Koop
Recognition. Review, Agenda #20-21, 1991.
Frazer Ward
Review, Eyeline #7, December, 1988.
David McDowell
Quintet. Review, Photofile, Winter 1988.
Anne McDonald
Pupil of the Eye. Review, Photofile, Winter, 1987.
Paola Talbot
Seeing Double. Review, Photofile, Autumn, 1987.
Megan Cronley
Seeing Double. Follow Me, July, 1987.
David Broker
Looking Behind the Surface. Review, Artlink Vol 7#1, 1987.
Martyn Jolly
In Full View. Catalogue essay, Art Gallery of New South Wales, 1986.
John McDonald
Sydney Morning Herald, 27/12/86.
Bruce Adams
Seeing Double. Sydney Morning Herald, 5/12/86.